改革开放初期，陈一众、余高远、陆则鸣、夏英杰、张丽慧等五位法学院毕业生分别进入了司法领域不同的部门工作。陈一众在市级检察院工作中深感自身所学不足，辞职后继续回学校深造，并与导师一起参与《刑法》《刑诉法》修改工作；余高远在法院工作；夏英杰坚持公平正义，后来因公殉职；张丽慧成为一名驻监狱的检察官，她为平反一起冤案坚持不懈；陆则鸣成为了优秀的刑事辩护律师。

承青涩之志，破混沌迷障；燃青春之火，铸司法脊梁。于时代裂缝执槌破晓，以赤诚初心书写公正华章。

记录中国装备制造业创新发展历史的国内首部大型高清工业电视纪录片《大国重器》开播式5日在河北唐山举行。该片由工业和信息化部委托中央电视台拍摄，将于11月6日在中央电视台财经频道晚上黄金时段首播，连续六天播放。 作为建国以来第一部记录中国装备制造业振兴发展历程的大型高清电视纪录片，《大国重器》将镜头对准了普通的产业工人和装备制造业企业转型升级、创新中的关键人物，真实记录了他们的智慧、生活和梦想，通过人物故事和制造细节，鲜活地讲述了充满中国智慧的机器制造故事，再现了中国装备制造业从小到大，到赶超世界先进水平背后的艰辛历程。 据了解，《大国重器》6集片名分别为《国家博弈》、《国之砝码》、《赶超之路》、《智慧转型》、《创新驱动》和《制造强国》

“大科学装置”——一个朴实而又直接的叫法，代表着一系列常人罕见的重大科技基础设施。它们或隐世于高山峡谷，或藏身在喧嚣城市的地下，或悠游于世外桃源。当科学家走进这些“大科学装置”，中国乃至世界科学的未来就掌握在他们手中。

“大科学装置”——一个朴实而又直接的叫法，代表着一系列常人罕见的重大科技基础设施。它们或隐世于高山峡谷，或藏身在喧嚣城市的地下，或悠游于世外桃源。当科学家走进这些“大科学装置”，中国乃至世界科学的未来就掌握在他们手中。

【bilibili出品】《重器2069》全新PV发布！中国首部军事科幻题材动画！以血肉之躯筑就，我们必将胜利返航！ 　　出品：bilibili、金盾影视中心、福煦影视 　　制作：福煦影视 　　PV链接： 　　https://www.bilibili.com/bangumi/play/ep431223

【bilibili出品】《重器2069》全新PV发布！中国首部军事科幻题材动画！以血肉之躯筑就，我们必将胜利返航！ 　　出品：bilibili、金盾影视中心、福煦影视 　　制作：福煦影视 　　PV链接： 　　https://www.bilibili.com/bangumi/play/ep431223

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

《大国重器第二季》是对中国工业发展进行了一次大巡礼，倡导并指明了“中国制造”和中国实体经济发展的方向 。　　本片用独特的视角和震撼的镜头，记录…